Monday, 15 November 2010

London in Cinema

"Movies and cities have different kinds of temporalities, and are constituted, through quite different imperatives, of differnt kinds of spaces and events".

Charlotte Brunsdon - London in Cinema, The Cinematic City Since 1945, 2007, p.6

London in Cinema

"Cinematic London is only one contribution to the myriad histories and textualities of the city".

Charlotte Brunsdon - London in Cinema, The Cinematic City Since 1945, 2007, p.5

Wednesday, 3 November 2010

33a

33a from Richard Young on Vimeo.

This is the final edit for the 2nd November Critique. Focusing on the constructs of the previous two films, 33a visualises the imagination of the creator of 'Camden' and 'Creator's Camden' at the pre-production stages of the film making process. Through representing the characters perception and cognition of space he begins to form the framework of the city in which he sees himself and wishes to base the following films (Camden and Creator's Camden) within.

It is the focus on the his cognition of space that results in his over-run personal space that contains multiple architectures of varying sorts. Not only does this realm of imaginary cities exist in his own mind but it will begin to also exist in the exterior world that he ventures into throughout his day to day life.


33a Animatic

33a Animatic from Richard Young on Vimeo.

This is the animatic I created pre-production of 33a. It establishes shot lengths which helped me formulate what route to go down interms of sound and the edit.


Thirty Three a Graphic



These are two graphics that illustrate the filming process. Camera angles and positions are identified through the usage of diagrammatic plans of 33a.

The second looks at how that FOV view of the camera creates architectural space that lies outside the FOV.

Wednesday, 27 October 2010

Animatic and Tests

These are the two clips I produced for the discussions yesterday, The animatic is much the same as the one previously posted however, I have changed sound and think it works much better. I am also leaving that edit now and continuing to the next edit of a slightly different film that I see as one of the issues that was touch upon in the previous films. It is the ability of the creator of 'Camden' to visualise his perceptions and cognition of spaces as something that is more intrinsically embedded in his conscience and visions of his own personal space.

Friday, 22 October 2010

Finally!

Scene 01

Scene 02

Scene 03


The Matchmoving process is finished!

Here are the final tracked pieces of footage. Three scenes but I will concentrate on the first two for compositing. If I have time I will try and do the third scene of the desk.